The intersection of filmdom and feminism
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Casting Marlene Dietrich as a naïve German peasant girl in 1933 might seem an odd choice, but Dietrich carries off her role in director Rouben Mamoulian’s The Song of Songs,
The whodunnit is far from dead; it’s having a resurgence, with two new Agatha Christie adaptations hitting big screens, and a renewed audience interest in the puzzle box narratives of
One of the truths about the horror genre is that the monsters we can’t see are often much more frightening than the ones we can. The creatures we imagine are
One of the thrills of Kino-Lorber’s classic releases is their emphasis on lesser known or forgotten films, many of them in the public domain, that deserve new consideration. Jack Arnold’s
In a pivotal sequence in Birds of Prey, Roman Sionis (Ewan MacGregor) threatensHarley Quinn (Margot Robbie) with torture after he learns she’s no longer in a relationship with the Joker.
Birds of Prey: And The Fantabulous Emancipation of One Harley Quinn is a candy-colored, cocaine-infused celebration of feminine anger the likes of which we rarely see, if ever, in comic
Within Our Gates holds a number of distinctions, not the least that it’s the oldest surviving feature film directed by an African American. But Oscar Micheaux’s anti-racist polemic is far
