The intersection of filmdom and feminism
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“It’s not about ‘deserve,’ it’s about what you believe. And I believe in love,” Diana Prince told the god of war in the climactic fight at the end of 2017’s
Documentaries are among the most deceptive of cinematic genres, shaping the reality presented based on what the camera chooses to show (and not), how the scenes are edited, and how
Gesche Gottfried was one of Germany’s most notorious (and successful) female serial killers. She poisoned at least fifteen people between 1813 and 1827—including members of her own family, multiple friends,
Making a film about shiftless Manhattanites who have to sell off all their nice things in a fight against insolvency is an uphill battle right now. Maddeningly, director Azazel Jacobs’s
Director Chloe Zhao is proving to be one of the great chroniclers of the American experience. The Rider and Songs My Brothers Taught Me center her as an empathetic artist,
