Citizen Dame – Page 2 – The intersection of filmdom and feminism

February 21, 2020 Lauren

From Marilyn and Madonna to Margot: ‘Diamonds are a Girl’s Best Friend’ and the Emancipation of Harley Quinn

February 13, 2020February 13, 2020 Lauren

Birds of Prey Emancipates the Harley Quinn Within Us All

February 7, 2020February 6, 2020 Lauren

DameStruck: Within Our Gates (1920)

February 5, 2020 Lauren

'Gretel & Hansel' Searches For Freedom in Monstrosity

January 21, 2020January 20, 2020 Lauren

'Color Out of Space' is a Marvelous Monstrosity From Beyond the Stars

January 21, 2020January 21, 2020 Lauren

Exclusive to Film: The Necessity of Seeing Film as Art

October 10, 2019 Lauren

DameStruck: Isle of the Dead (1945)

October 8, 2019September 23, 2019 Lauren

‘Atlantics’ Welcomes a Formidable Female Director to the World Stage (NYFF57)

October 4, 2019October 4, 2019 Karen M. Peterson

‘Joker’ Is a Character Study that Doesn’t Understand Character

October 3, 2019October 2, 2019 Lauren

‘Parasite’s Deceptively Brilliant Class Critique Pays Off (NYFF57)

October 2, 2019October 2, 2019 Lauren

‘Pain and Glory’ Is More Than Almodovar’s 8 1/2 (NYFF57)

September 30, 2019September 30, 2019 Lauren

‘Portrait of a Lady on Fire’ Celebrates the Sensuality of the Female Gaze (NYFF57)

September 25, 2019September 24, 2019 Lauren

DameStruck: Not Wanted (1949)