The intersection of filmdom and feminism
The Irishman has been severally interpreted as Scorsese’s elegy, as an attempt to kill the mob movie once and for all, and as the final culmination of his career. But
Over the past few years, the increase of franchise reboots (or attempted reboots) has given more than a few people pause, even more so when typically male films and franchises
A beautiful tale of love comes from one of recent history’s most terrible eras of hate. Jojo Rabbit is told in a way that could only be done by Taika
Ida Lupino has gone through a re-evaluation recently, lifting her from the ranks of a female director occasionally referenced for a single contribution to cinema to her rightful place as
At one point in Robert Eggers’s nightmarish dreamscape The Lighthouse, Thomas Wake (Willem Dafoe) holds forth over the cowering form of Ephraim Winslow (Robert Pattinson). Wake curses his acolyte to
For those not yet inaugurated into the oeuvre of influential B-movie producer Val Lewton, the Criterion Channel has you covered. The most famous of Lewton’s films is the Jacques Tourneur-directed
There are some films that fail to live up to their hype, and there are others whose hype, it seems, fails to live up to them. This is certainly true
