Review ‘Late Night’ Constructs a Feminist Comedy Beyond Stereotypes Late Night opens with praise lavished on Katherine Newbury (Emma Thompson) June 20, 2019
DameStruck, Review DameStruck: Craig’s Wife (1936) Dorothy Arzner was one of the most prolific female filmmakers of the Golden June 12, 2019
Review ‘The Farewell’ Finds Humor In Secrets and Lies The need for diversity in filmmaking has (slowly) begun to be reflected in June 4, 2019
Review ‘American Woman’ Examines the Complex Psychologies Behind the Hearst Kidnapping (Tribeca 2019) In a time of new political upheaval, it’s somehow not surprising that a May 6, 2019
Review ‘Martha: A Picture Story’ Showcases A Formidable Female Artist (Tribeca 2019) Martha: A Picture Story opens with scenes of an older woman calmly putting May 1, 2019
Review ‘At the Heart of Gold’ Gives Voice to the Survivors (Tribeca 2019) As #MeToo reckons with the long-reigning patriarchy and reveals more April 27, 2019
DameStruck, Review DameStruck: Daguerreotypes (1976) With Agnes Varda passing away this week, the internet has been awash in April 3, 2019
Review Pioneers: First Women Filmmakers Blu-ray Review In 1916, Universal’s most successful film was Where Are My Children?, a December 3, 2018