In the contemporary age we live in, the plot of The Bachelor and the Bobby Soxer is one which is apt to instill definite uncomfortable feelings in some people. The name, the story and the plot itself all sound more than a bit dated. However, when looked at […]
As #MeToo reckons with the long-reigning patriarchy and reveals more abusive behavior by men (and some women) in positions of power and influence, more films have shed light on the sometimes decades-long abuses and the effects on victims and on society at large. Documentaries about Roger Ailes, Harvey […]
History is ultimately written by the winners. This adage is true politically, militarily and even in pop culture. The names and reputations of the Big 5 studios live on. However, so much more happened during this time. Much more happened than the daily goings on at: MGM, 20th […]
Terry Gilliam’s long-gestating project The Man Who Killed Don Quixote is already better known for its complex production history than for the film itself. Gilliam began working on a version of the project nearly thirty years ago. It has since gone through floods, lightning strikes, cast and crew […]
Last week, film lovers had reason to rejoice with the launch of the Criterion Channel, an offshoot of the sadly defunct FilmStruck run by the Criterion Collection. FilmStruck was both a wonderful resource and a source of entertainment, and the hope is that Criterion Channel will carry on […]
This week we’re celebrating the anniversary of Say Anything, the movie that told us if a man’s willing to blast Peter Gabriel outside your window, he’s a keeper. In all honesty, the use of pop music in this film became synonymous with it and inspired us to look […]
Julia Hart is a director whose quiet, contemplative films seek to explore our insecurities and the way we find strength, great and small. Her 2016 venture, Miss Stevens, holds similar sentiments though it’s far less ambitious than Fast Color, a unique examination of feminine legacy and science fiction […]
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