The intersection of filmdom and feminism
When Anton Yelchin died in 2016 his death resonated with film audiences who barely knew him. Maybe it was because he was just 27, maybe it was the tragic freak
Hirotaka Adachi’s Stare opens as any good J-horror should: with an unseen evil and an explosion of blood. Stare takes the concept of a curse used to such excellent effect
Is Once Upon a Time…in Hollywood everything you wished it would be?
I’m going to do something I never do in a review: shout out to my friends/colleagues. Both Karen and Kristen informed me numerous times that when the Irish horror-comedy Extra
When Jennifer Kent’s follow-up to The Babadook first hit the festival circuit it became a lightning rod for notoriety. Walk-outs were common, with audiences uncomfortable with the first 30 minutes
The Father’s Shadow expands director Gabriela Amaral Almeida’s concept of a short film into a fully fledged feature about an exceptional young girl coping with a distant father and deceased
There are some films that just defy categorization, or even criticism. Jesus Shows You the Way to the Highway, now showing at Fantasia 2019, is one of those films. The
