We toss the phrase “Hitchcockian thriller” around an awful lot. It’s become standard term for any thriller that uses clever plot devices, claustrophobic locations, or techniques that vaguely resemble something Hitchcock tried. But for once, there is a film that actually deserves the comparison. Nosipho Dumisa’s Number 37 […]
Lauren Humphries-Brooks is a writer, editor, and media journalist. She holds a Master’s degree in Cinema Studies from New York University, and in Creative Writing from the University of Edinburgh. She regularly contributes to film and pop culture websites, and has written extensively on Classical Hollywood, British horror films, and the sci-fi, fantasy, and horror genres. She currently works as a freelance copyeditor and proofreader.
With the rise of so-called “prestige horror” and the mainstream establishment beginning (yet again) to take the genre seriously, contemporary horror films have the unenviable task of measuring up to a multitude of competitors for audience attention. But the increased emphasis on horror as a viable mainstream genre […]
I have been sitting here for the past five minutes, trying to decide how the hell to go about reviewing Rokuroku: The Promise of the Witch, now showing at Fantasia 2018. And I still don’t know how I feel. Did I like it? Hate it? Was I impressed […]
The Vanished is a twisty South Korean psychological thriller, a clever amalgam of classical cinematic influences – especially Diabolique—filtered through a powerful narrative about the nature of perception and guilt. The film takes place over the course of a single night, as a police team arrive at the city […]
Defenses of the First Amendment have been tossed around quite a lot recently. Roseanne Barr’s supporters attempted to claim that critics violated First Amendment rights after ABC decided to cancel her show over her racist comments. White men start shouting about First Amendment rights whenever someone disagrees with […]
I’ve been remotely covering Montreal’s Fantasia International Film Festival for several years now, and they never cease to surprise me with something bizarre and interesting, and quite often brilliant. Fantasia runs the gamut, including some prestige pictures from larger studios, films having their international or North American premieres, […]
First Reformed represents director Paul Schrader’s latest attempt to step back into the critically acclaimed arthouse fold, a world that has eluded him for some time. While he has been behind a number of critically successful screenplays – including Scorsese’s Taxi Driver, The Last Temptation of Christ, and […]