2018 has been an excellent year for high-profile critical successes that deal with issues of race, violence, and gentrification in America. Spike Lee took on the KKK with Black KkKlansman; Boots Riley scored a critical success with his socialist masterwork Sorry To Bother You; Ryan Coogler gave us […]
Lauren Humphries-Brooks is a writer, editor, and media journalist. She holds a Master’s degree in Cinema Studies from New York University, and in Creative Writing from the University of Edinburgh. She regularly contributes to film and pop culture websites, and has written extensively on Classical Hollywood, British horror films, and the sci-fi, fantasy, and horror genres. She currently works as a freelance copyeditor and proofreader.
Of all the directors of his generation, Alfred Hitchcock’s films are probably the most widely available, both on streaming and on physical media. Even his early British films are available, sometimes in less-than-stellar public domain prints. But beyond the most famous “masterpieces,” there are other, smaller films that […]
With the demise of FilmStruck (which I still hold out desperate hope will be resurrected), there has been an awful lot of talk about how cinephiles and your regular film fan now have no place to go for all their classic and art house needs. While it’s true […]
The atmospheric horror film tends to get shorter shrift from fans of horror than its more blood-thirsty brothers and sisters. It’s more understated, more psychological, more interested in establishing a sense of horror than in actually showing horrific things. Lenny Abramson’s adaptation of Sarah Waters’s Gothic novel The […]
Casino Royale opens with credits that just seem to keep going, and going, and going, which is a good benchmark for what this film will be. It lists a whopping five directors (plus an “additional sequences” credit) that include John Huston and Robert Parrish (better known for his […]
Josephine Decker’s beautiful Madeline’s Madeline shows at Fantasia 2018 this week, and once again I am at a loss of how to describe it with justice. Told primarily from the close perspective of its main character, it’s both narrative and experimental, a dive into the complicated psyche of […]
One of the opening scenes of Issa Lopez’s magical realist fabula Tigers Are Not Afraid depicts a group of Mexican schoolchildren discussing with their teacher the elements of a fairy tale. After they go through the litany – princesses and princes, castles, magic, tigers, three wishes – the […]